#'they open up like lovers'

[kingofmyborrowedheart]

Begging swifties to understand that Taylor didn’t write reputation and Lover with the knowledge of how the relationship was going to end and that trying to “excavate” those albums for evidence to prove a specific theory as to why it ended is not how they should be viewed. Taylor wrote those songs feeling a very specific way because that’s what she was experiencing and she is now reflecting on them with hindsight and relates to them differently than when she first created them. These conflicting emotions can exist; how she views it now doesn’t diminish how she felt about it when she first released it.

[marvey-sideblog]

"And it just happened to be empty?" "Something like that."

Suits 4x8 "Exposure" Mike returns to Pearson Specter and gets Harvey's old office.

[xxplastic-cubexx]

eternally grateful that no matter the verse within cherik either one of them will always have long lushish hair the other can lovingly comb through

[caleblandrybones]

more fascinating quotes from carter "this one's for the queers" smith

[vaguely-concerned]

just had the thought 'in the end the most important thing varric taught rook was how to make a home for, with, and in other people' and then I had to go lie down on the floor and clutch at my head in unceasing agony for a few hours, as you may well imagine. hawke and the kirkwall crew........ in the end you kind of saved the world a bit in the most characteristically indirect and chaotic of ways. not by anything in particular that you did or achieved or accomplished (lmao imagine!), but just by -- having existed, and by the love that was always there, despite it all, in all its imperfections, even when no one was saved by it in the end. you're not here right now and you're not quite haunting the narrative but I hear your voices bickering and arguing and laughing from the other room. (and so, I think, does varric. all the time.)

'did you think you mattered, hawke? did you think anything you ever did mattered?' yeah actually, varric says with da2 and keeps saying through the series. you were here. and I loved you. and as it turns out that mattered more than almost anything in the world, no matter how long it lasted or how fucked up it was at the time or what else happens, because varric manages to pass that feeling, that intangible... home, that echo of you all as you were together, that love, hopefully the best parts of it, on to someone else for them to bring with them on their journey, with their family. and maybe the world will be kinder this time. you never know. merrill's line of 'Everything affects everything. We were born, a bunch of things happened, and now we're in a mess with our friends.' varric's greatest fear of becoming his parents. even through the wreck and the ruin of the world, ghosts upon ghosts upon ghosts of love -- malcolm hawke, who we never even see, but his life touched hawke's and hawke's touched varric's and varric's touched rook's and rook is passing it on to the family they're creating. the unbroken legacy of love shines through in ways that are stronger and stranger than any magic. help

[ecoterrorist-katara]

I kind of love how Zutara has two distinct ship dynamics

dynamic 1: “I will save you from the pirates,” enemies-to-lovers, Zuko is dangerous but sexy, bad boy x good girl, morally grey antihero, Dramione vibes etc

dynamic 2: Zuko is an awkward turtleduck, idiots-to-lovers, pining for your best friend, having each other’s backs, thinking she’s the coolest thing since sliced bread, Percabeth vibes etc

We can argue about which is the correct interpretation until the cows come home, but I love that the possibilities exist in the first place. From s1 to post-series headcanons there are such distinct stages in their relationship, and you can basically pick whichever point that appeals to you and run with it. There’s something for everyone. Yet another reason why they’re the best ship y’all

[legallydistinctloolooland]

i see your "Angel not knowing Husk is into guys & pining from afar" & raise you "Angel having a feeling/knowing that Husk is into guys & pulling all the stops in Gay Melodrama cause he thinks he isn't Husk's type"

[dollypopup]

the fact that Luke opened every single bag of chips (because Nicola has her nails done and opening bags with fancy nails can be such a nuisance) and then offered them to her so she could have first pick each time?

this is a man who understands women

[cringefail-clown]

jane put them in it after they obliterated the kitchen in a strife

[capricious-bastard13]

Just had a thought but... If Tony survived... Would Steve not have stayed in the past at all?

Because I finally watched Endgame (after years of avoiding watching it because I knew the ending and through the internet, made me aware of the movie without having to watch it, but finally, recently I caved and watched it). I had a conversation with my cousin about it.

And he was just as baffled by Steve's choice, when he watched it all those years ago, he told me. And I said, "yeah, because it was so out of nowhere" and he agrees with "Exactly". And now.

Now, I can't help but think... Was the trigger Tony? Steve said that he planned to come back--or at least it was said in between the lines (I'm still too hurt by the ending to re-watch it again so soon) and at the last moment, thought to himself, "why go back?" Because if Bucky being in there didn't make him return, then would Tony still being there, would've?

[magpie-trove]

%

[faaun]

we sang in the aeroplane over the sea tgth ☆

[stripedstarsblueflags]

i didn't win the wheel: episode 3 (pt. 1)

i can make gifs now!! big shoutout to @ablogtocheck for the advice. hopefully they don't give anyone epilepsy. ANYWAYS.

little preface: logan is *very* out of it this episode. it's obviously not unlike him to start out a little disengaged. i think even when williams isn't emotionally beating the shit out of him, he's kind of more introverted; you get the feeling that there's a lot going on in his head that he doesn't say, unlike alex, who has NO FILTER WHATSOEVER. what's in his head is out of his mouth immediately... which is why their dynamic is so paradoxical yet so endearing. even in this split second alex is 100x more expressive than logan, but logan– who has been morosely slouched over with his cap covering 60% of his face the whole intro– is offering a small smile just for him. (you can see how quickly the light fades from his eyes though. he is beaten the fuck down guys)

okay, the activity is a mix-and-match; different cutouts of drivers on the grid. i actually really like this prompt because it's really different from what teams normally have their drivers do– it's not remotely athletic or F1-trivia-based; this is pretty outside the box for once so we actually get to see a lot more personality and personality difference. alex is scattered, hyperactive. he stands up almost immediately, pretty much flailing around, laughing and panicking and still kind of having fun. but logan is patiently sitting at the table and inspecting everything from his seat. he's wayyyy more focused and that's ultimately why he wins the challenge. he's been given a task and he's doing it well, committed, without complaining; it's like.. compulsory compliance. but there's one moment in particular that i–

THIS. this exactly. so far they've been complete opposites of each other, even more noticeably than usual; detached vs engaged, focusing vs having fun, sunshine vs complete cloud cover as usual. they aren't even really interacting with each other. any two others in this situation– you'd think there would be some conflict arising at some point, some tension at the too much : too little imbalance. and yet here they are perfectly in sync. completely, fundamentally, wordlessly in sync. they each invade the other's personal space very suddenly, without even eye contact, and then just as swiftly move out of the way so smoothly it looks choreographed. lando would literally have fallen out of his chair by now trying to reach over oscar. carlos would have his hands all over charles trying to block him from the right pieces. if yuki and pierre were still teammates one of them would have already concussed their head on the table and the other would be matching everything wrong on purpose. but these two are utterly aware of each other without even looking. they can respect each other's space and anticipate each other's movements and there's not a single attempt at cheating, distraction, any sort of meddling. yes it's a competition but even though they're acting so different and they are so different there's this perfect unspoken understanding between them and this is just what happens naturally when it manifests physically, visibly. they don't say anything, they just know.

okay this was getting wayyyyyyy too long (such a short episode SO MUCH TO ANALYZE) so i'm saving the last few for another post :)

ep 3 pt 2

[eggs-can-draw]

Persona 5 x Slay The Princess except I just really wanted to draw The Long Quiet!Joker

[bittersweetresilience]

say hi to me i don't know, i just remembered being so much brighter, i guess

cigarette ash like wildfire burning holes in the nighttime open scars feel like barbed wire white lies flying high like a ceasefire dropping flags on the shoreline this is as far as i can feel right 'cause what you don't know can haunt you

and all we ever wanted was sunlight and honesty highlights to want to repeat let's get away from here and live like the movies do i won't mind when it's over at least i didn't think for a while

don't drag it out living like that doesn't mean a thing

so let's, make a great escape and i'll be waiting outside for the getaway it doesn't matter who we are we'll keep running through the dark and all we'll ever need is another day we can slow down 'cause tomorrow is a mile away and live like shooting stars 'cause happy endings hardest to fake

and i wanna let you know i wanna let you go but i just can't bring myself to speak but this is how it goes the end credits, they roll this bridge was built over kerosene but we can watch it and all i ever wanted was sunlight and honesty highlights to want to repeat let's get away from here and live like the movies do i won't mind when it's over at least i didn't think

so let's run, make a great escape and i'll be waiting outside for the getaway it doesn't matter who we are we'll keep running through the dark and all we'll ever need is another day we can slow down 'cause tomorrow is a mile away and live like shooting stars you can wish away forever but you'll never find a thing like today

[kind-of-heart-dumb-of-ass]

No scene is as homoerotic to me as the diner scene in heat